:) :)
By alphabetical order :)
Adam Albrecht Aivazovsky Ivan Konstantinovich Aladar Padly Backer Jacob de Backhuysen Ludolph Balen I Hendrick van Barker of Bath Thomas Bassano Jacopo Bassano II Francesco Baumgartner-Stoiloff Adolf (Constantin) Beer I. de Begeyn Abraham Jansz. Benois Albert Nikolayevich Benois Nikolai Leontjewitsch Berchem Nicholaes Berckheyde Gerrit Adriaensz. Blaas Julius von Bloemaert Abraham Blommaert Abraham Bogaert Hendrick Bogoliubov Alexei Petrovich Boilly Louis Léopold Boissieu Jean-Jacques de Boitmanis Ulrihs Bordone Paris Borisov Alexander Alekseevich Bossche Balthasar van den Bossoli Carlo Boudewijns Adraen Frans Bough Samuel Bray Jan de Brewer Henry Charles Bristow Edmund Broeck Elias van den Brueghel II Jan Bryullov Karl Pavlovich Burhardt Feodor Karlovich Carlone Giovanni Andrea Casanova Francesco Giuseppe Casteels Pauwels Castro Lorenzo A. Cats Jacob Charlemagne Adolphe Josefovich Charlemagne Joseph Josefovich Codde Pieter Jacobs Cole George Conca Sebastiano Conca Tomasso Maria Cooper Thomas Sidney Cotes, R.A. Francis Cotman Frederick George Craesbeeck Joos van Crampton Sir John Cranach the Elder Lucas Creara Sante Crespi Giuseppe Maria Crome John David Giovanni della Bella Stefano Dmitriev-Kavkazsky Lev Evgrafovich Dobuzhinsky Mstislav Valerianovich Droochsloot Joost Cornelisz Dubovskoy Nikolai Nikanorovich Dujardin Karel Duvieux Henri Ellis Tristram English School Everdingen Allaert van Faed R.S.A. John Feldmann Valentin Augustowitsch Ferg Franz de Paula Filippov Konstantin Nikolaevich Fischer Johann Georg Paul Florentine School Franken Paul von French School Frost George Albert Gabashvili Giorgy Ivanovich (Gigo) Gabbiani Antonio Domenico Gagen Dominik Ernestovich Gascars Henri Gedlek Ludwig Gerlach Otto Goeree Jan Gordon Sir Thomas Edward Gorschelt Fedor Federovich Goyen Jan van Gradovsky N. Grigoriev Boris Dmitrievich Grimaldi, il Bolognese Giovanni Francesco Grimmer Abel Groningen Jan Swart van Guardi Giacomo Guardi Gianantonio Hackaert Jan Hackert Jacob Philipp Harding James Duffield Harlamoff Alexei Alekseevich Havell William Herring Jnr John Frederick Hilair Jean-Baptiste Hoet Gerard Ibbetson Julius Caesar Issupoff Alexei Vladimirovich Ivanov Ivan Andreevich Jankowsky Johann Wilhelm Kalf Willem Kapustin Grigorij Ivanovich Karazin Nikolai Nikolaevich Karlsonn Konstantin Kennington Eric Keuninck the Elder Kerstiaen de Key Adriaen Thomasz. Klodt von Jurgensburg Baron Mikhail Konstantinovich Koerner Ernest Karl Eugen Kolchin Petr Petrovich Kolesnikov Stepan Feodorovich Kollmann Karl Ivanovich Kondratenko Gavril Pavlovich Kotov Nikolai Grigorievich Krachkovsky Josef Evstafievich Kravchenko Aleksey Ilyich Lagorio Lev Felixovich Lallemand Atributed to Jean-Baptiste Lancerey Yevgeny Alexandrovich Landseer Charles Langer Olaf Viggo Peter Lattry Mikhail Pelopidovich Le Prince Jean-Baptiste Lee Frederick Richard Lingelbach Johannes Loo Carle van Loutherbourg, R.A. Philipe-Jacques de Lovatti Count Matteo Ludoviki Pierre Alexandrovich Parisot, called Luti Benedetto Maes Nicolaes Maevsky Mechislav Silvesterovich Maggiotto Domenico Maistre Count Xavier de Mak Paul Makovsky Konstantin Egorovich Makovsky Vladimir Egorovich Maliavin Philip Andreyevich Malyshev Nikolai Tarasievich Man Cornelis de Martos Nikita Ivanovich Martynov Andrey Yefimovich Massys Jan Mathauser Josef McConnell William Michallon Achille Etna Mieris Willem van Molenaer II Jan Molijn Pieter de Mols Robert Charles Gustave Laurens Momper Philippe de Montferrand Auguste Ricard De Moor Carel de Morandi Giovanni Maria Moucheron Frederik de Nash Frederick Neapolitan School Neeffs The Elder Pieter Neyn Pieter de Nikitin Ivan Nikitich Opitz Georg Emmanuel Orizzonte Jan Frans van Bloemen, called Orlov J Orlovsky Alexander Osipovich Ovsyannikov Sergey Osipovich Palmieri Pietro Giacomo Pantoja de la Cruz Juan Parme Jean-Antoine Julien, called Julien de Patersson Benjamin Pavlikevitch J Pellegrini Giovanni Antonio Perez, von Baron Josef Berres Pierre Jean-Baptist-Marie Pillement Jean-Baptiste Piola Domenico Pocock Nicholas Poelenburch Cornelis van Poerson Charles Poplavsky Ludvig Ludvigovich Premazzi Luigi Ossipovich Preziosi Count Amadeo Prianishnikov Ivan Petrovich Quaglio Franz Repin Ilya Yefimovich Repin Yuri Illich Repton Humphrey Richards John Inigo Rocca Michele Roepel Coenraet Rogier Camille Rombouts Salomon Romney George Roubaud Franz Alekseevich Rozhankovsky Pavel Stepanovich Russian School Ruysdael Salomon van Sabatelli Luigi Savitsky Georgy Konstantinovich Schmerling Oskar Schmidt Genrikh Genrikhovich Schongauer Martin School Mid-Sixteenth Century Anglo-Netherlandish School, c.1535 Flemish Schreyer Christian Adolf Schwarz Christoph Sellaer Vincent Shishkin Ivan Ivanovich Siemiradzki Henryk Simpson William Snyders Frans Snyders and Studio Frans Sokolov Pyotr Petrovich Solimena Francesco South Netherlandish School Spranger Bartholomäus Stanfield George Clarkson Stanfield RA Clarkson Stevaerts Palamedes Palamedesz., called Stevens Stone Frank Stoop Maerten Strechine Stephanie von Sustris Lambert Sverchkov Nicholai Egorovich Svetoslavsky Sergei Ivanovich Teniers II David Test Artist Tiepolo Giovanni Battista Tintoretto Domenico Toorenvliet Jacob Traballesi Bartolommeo Trutovsky Konstantin Alexandrovich Turner, R.A. Joseph Mallord William Tweenhuysen II Helmich von Uden Lucas van Valckenborch Lucas van Valentin Emile Vanvitelli Circle of Gaspar van Wittel, called Varley John Vasilev Ivan Vasnetsov Apollinary Mikhailovich Velde Adriaen van de Velde Esaias van de Velde the Younger Willem van de Venetian School Verburgh Dionijs Vereschagin Petr Petrovich Verschuring Hendrik Verschuur Wouter Vickers Alfred Gomersal Vignali Jacopo Villiers de l'Isle Adam Emile Samoilovich Visotsky Konstantin Semeonovich Vladimirov Ivan Alekseevich Vlieger Simon Jacobsz de Voloshin Maksimilian Aleksandrovich Vorobiev Sokrat Maksimovich Vrancx Sebastian Ward James Watteau, called Watteau of Lille Louis-Joseph Webb James Weiss Joseph Andreas Wet I Jacob Willemsz. de Wheatley, R.A. Francis Wijnants Jan Wilson Alexander Wingfield James Digman Wouwerman Philips Wtewael Joachim Anthonisz. Wyck Thomas Yakovlev Aleksandr Evgen'evich Zeeman Reinier Nooms, called Zhukovsky Rudolf Kazimirovich Zommer Richard Karlovich Zucchi Antonio
Adam Albrecht Aivazovsky Ivan Konstantinovich Aladar Padly Backer Jacob de Backhuysen Ludolph Balen I Hendrick van Barker of Bath Thomas Bassano Jacopo Bassano II Francesco Baumgartner-Stoiloff Adolf (Constantin) Beer I. de Begeyn Abraham Jansz. Benois Albert Nikolayevich Benois Nikolai Leontjewitsch Berchem Nicholaes Berckheyde Gerrit Adriaensz. Blaas Julius von Bloemaert Abraham Blommaert Abraham Bogaert Hendrick Bogoliubov Alexei Petrovich Boilly Louis Léopold Boissieu Jean-Jacques de Boitmanis Ulrihs Bordone Paris Borisov Alexander Alekseevich Bossche Balthasar van den Bossoli Carlo Boudewijns Adraen Frans Bough Samuel Bray Jan de Brewer Henry Charles Bristow Edmund Broeck Elias van den Brueghel II Jan Bryullov Karl Pavlovich Burhardt Feodor Karlovich Carlone Giovanni Andrea Casanova Francesco Giuseppe Casteels Pauwels Castro Lorenzo A. Cats Jacob Charlemagne Adolphe Josefovich Charlemagne Joseph Josefovich Codde Pieter Jacobs Cole George Conca Sebastiano Conca Tomasso Maria Cooper Thomas Sidney Cotes, R.A. Francis Cotman Frederick George Craesbeeck Joos van Crampton Sir John Cranach the Elder Lucas Creara Sante Crespi Giuseppe Maria Crome John David Giovanni della Bella Stefano Dmitriev-Kavkazsky Lev Evgrafovich Dobuzhinsky Mstislav Valerianovich Droochsloot Joost Cornelisz Dubovskoy Nikolai Nikanorovich Dujardin Karel Duvieux Henri Ellis Tristram English School Everdingen Allaert van Faed R.S.A. John Feldmann Valentin Augustowitsch Ferg Franz de Paula Filippov Konstantin Nikolaevich Fischer Johann Georg Paul Florentine School Franken Paul von French School Frost George Albert Gabashvili Giorgy Ivanovich (Gigo) Gabbiani Antonio Domenico Gagen Dominik Ernestovich Gascars Henri Gedlek Ludwig Gerlach Otto Goeree Jan Gordon Sir Thomas Edward Gorschelt Fedor Federovich Goyen Jan van Gradovsky N. Grigoriev Boris Dmitrievich Grimaldi, il Bolognese Giovanni Francesco Grimmer Abel Groningen Jan Swart van Guardi Giacomo Guardi Gianantonio Hackaert Jan Hackert Jacob Philipp Harding James Duffield Harlamoff Alexei Alekseevich Havell William Herring Jnr John Frederick Hilair Jean-Baptiste Hoet Gerard Ibbetson Julius Caesar Issupoff Alexei Vladimirovich Ivanov Ivan Andreevich Jankowsky Johann Wilhelm Kalf Willem Kapustin Grigorij Ivanovich Karazin Nikolai Nikolaevich Karlsonn Konstantin Kennington Eric Keuninck the Elder Kerstiaen de Key Adriaen Thomasz. Klodt von Jurgensburg Baron Mikhail Konstantinovich Koerner Ernest Karl Eugen Kolchin Petr Petrovich Kolesnikov Stepan Feodorovich Kollmann Karl Ivanovich Kondratenko Gavril Pavlovich Kotov Nikolai Grigorievich Krachkovsky Josef Evstafievich Kravchenko Aleksey Ilyich Lagorio Lev Felixovich Lallemand Atributed to Jean-Baptiste Lancerey Yevgeny Alexandrovich Landseer Charles Langer Olaf Viggo Peter Lattry Mikhail Pelopidovich Le Prince Jean-Baptiste Lee Frederick Richard Lingelbach Johannes Loo Carle van Loutherbourg, R.A. Philipe-Jacques de Lovatti Count Matteo Ludoviki Pierre Alexandrovich Parisot, called Luti Benedetto Maes Nicolaes Maevsky Mechislav Silvesterovich Maggiotto Domenico Maistre Count Xavier de Mak Paul Makovsky Konstantin Egorovich Makovsky Vladimir Egorovich Maliavin Philip Andreyevich Malyshev Nikolai Tarasievich Man Cornelis de Martos Nikita Ivanovich Martynov Andrey Yefimovich Massys Jan Mathauser Josef McConnell William Michallon Achille Etna Mieris Willem van Molenaer II Jan Molijn Pieter de Mols Robert Charles Gustave Laurens Momper Philippe de Montferrand Auguste Ricard De Moor Carel de Morandi Giovanni Maria Moucheron Frederik de Nash Frederick Neapolitan School Neeffs The Elder Pieter Neyn Pieter de Nikitin Ivan Nikitich Opitz Georg Emmanuel Orizzonte Jan Frans van Bloemen, called Orlov J Orlovsky Alexander Osipovich Ovsyannikov Sergey Osipovich Palmieri Pietro Giacomo Pantoja de la Cruz Juan Parme Jean-Antoine Julien, called Julien de Patersson Benjamin Pavlikevitch J Pellegrini Giovanni Antonio Perez, von Baron Josef Berres Pierre Jean-Baptist-Marie Pillement Jean-Baptiste Piola Domenico Pocock Nicholas Poelenburch Cornelis van Poerson Charles Poplavsky Ludvig Ludvigovich Premazzi Luigi Ossipovich Preziosi Count Amadeo Prianishnikov Ivan Petrovich Quaglio Franz Repin Ilya Yefimovich Repin Yuri Illich Repton Humphrey Richards John Inigo Rocca Michele Roepel Coenraet Rogier Camille Rombouts Salomon Romney George Roubaud Franz Alekseevich Rozhankovsky Pavel Stepanovich Russian School Ruysdael Salomon van Sabatelli Luigi Savitsky Georgy Konstantinovich Schmerling Oskar Schmidt Genrikh Genrikhovich Schongauer Martin School Mid-Sixteenth Century Anglo-Netherlandish School, c.1535 Flemish Schreyer Christian Adolf Schwarz Christoph Sellaer Vincent Shishkin Ivan Ivanovich Siemiradzki Henryk Simpson William Snyders Frans Snyders and Studio Frans Sokolov Pyotr Petrovich Solimena Francesco South Netherlandish School Spranger Bartholomäus Stanfield George Clarkson Stanfield RA Clarkson Stevaerts Palamedes Palamedesz., called Stevens Stone Frank Stoop Maerten Strechine Stephanie von Sustris Lambert Sverchkov Nicholai Egorovich Svetoslavsky Sergei Ivanovich Teniers II David Test Artist Tiepolo Giovanni Battista Tintoretto Domenico Toorenvliet Jacob Traballesi Bartolommeo Trutovsky Konstantin Alexandrovich Turner, R.A. Joseph Mallord William Tweenhuysen II Helmich von Uden Lucas van Valckenborch Lucas van Valentin Emile Vanvitelli Circle of Gaspar van Wittel, called Varley John Vasilev Ivan Vasnetsov Apollinary Mikhailovich Velde Adriaen van de Velde Esaias van de Velde the Younger Willem van de Venetian School Verburgh Dionijs Vereschagin Petr Petrovich Verschuring Hendrik Verschuur Wouter Vickers Alfred Gomersal Vignali Jacopo Villiers de l'Isle Adam Emile Samoilovich Visotsky Konstantin Semeonovich Vladimirov Ivan Alekseevich Vlieger Simon Jacobsz de Voloshin Maksimilian Aleksandrovich Vorobiev Sokrat Maksimovich Vrancx Sebastian Ward James Watteau, called Watteau of Lille Louis-Joseph Webb James Weiss Joseph Andreas Wet I Jacob Willemsz. de Wheatley, R.A. Francis Wijnants Jan Wilson Alexander Wingfield James Digman Wouwerman Philips Wtewael Joachim Anthonisz. Wyck Thomas Yakovlev Aleksandr Evgen'evich Zeeman Reinier Nooms, called Zhukovsky Rudolf Kazimirovich Zommer Richard Karlovich Zucchi Antonio
M

olijn Pieter de

(London 1595 - Haarlem 1661)

:) Biography

A Hilly Landscape with Wanderers at the Foot of a Castle Ruin

:)

A Hilly Landscape with Wanderers at the Foot of a Castle Ruin

Biography

Pieter de Molijn was a Dutch painter, draughtsman and etcher of English birth and Flemish descent. His father, Pieter de Molijn, came from Ghent and his mother, Lynken van den Bossche, from Brussels. It is not known why they went to England, perhaps for employment rather than to avoid religious persecution. Pieter the younger apparently remained proud of his birthplace throughout his life, as can be inferred from his designation as ‘The Londoner’ in archival documents.

The earliest evidence of de Molijn’s presence in the Netherlands is his entry at the age of 21 into the Guild of St Luke in Haarlem in 1616, although no dated works by him before 1625 are known. Having apparently settled permanently in Haarlem, on 26 May 1624 he published his intention to marry Mayken Gerards, who also lived there. In the same year he became a member of the Dutch Reformed Church. Seven children were born to the couple between 1625 and 1639, not all of whom reached maturity. De Molijn was also a member of the Haarlem Civic Guards in 1624, 1627 and 1630. Throughout the 1630s and 1640s he held the office of Dean and Commissioner in the Guild of St Luke. In 1637–8 he was the guild’s alms collector. At his death he was buried in St Bavo’s in Haarlem.

De Molijn’s painted oeuvre can be divided into three distinct periods. During his early years, from 1625 to 1631, he employed an enormous variety of styles and subject-matter, including dune landscapes, travelling people and wagons, cavalry battles, ambushes, winter scenes, cottages among trees and conversing and reposing peasants. His figures are typically shown with long noses and masklike faces. His compositions range from the multi-figured Prince Maurice and Prince Frederick Henry Going to the Chase (The Stadholder is Going to the Chase) (1625; Dublin, National Gallery) to the simplified arrangement found in his Sandy Road (Dune Landscape with Trees and a Wagon) (1626; Brunswick, Herzog Anton Ulrich-Museum), in which de Molijn employed the dynamic diagonal composition that was to become his hallmark. The small Sandy Road panel also represents an early stage of the style known by historians as the ‘tonal phase’ of 17th-century Dutch painting, in which simple vistas of the countryside are characterized by a broad painterly manner and a restricted palette of greys, greens, browns, dull yellows and blues. These early paintings are characterized by a dramatic play of light and dark, at times using a spotlight effect to establish the focus of the picture.

De Molijn’s paintings from 1632 to 1647 have simpler compositions, with fewer figures, firmly integrated within the landscape. His foliage becomes denser, but overall his compositions are more spacious and expansive. Solemnity of mood and strong atmospheric effects permeate some of these paintings, and the light is more evenly diffused on the picture surface, with strong patches of local colour. Although de Molijn’s dated paintings of the 1630s are scarce, his output from the 1640s is prodigious. The high point of his career is the Peasants Returning Home (1647; Haarlem, Frans Halsmuseum), in which the monumentality of the composition may owe something to the influence of the young Jacob van Ruisdael. Yet the directness of expression, the forceful depiction of figures and the magnificent foliage are de Molijn’s own. In these years de Molijn’s compositional schemes also reflect the possible interchange of ideas with Salomon van Ruysdael and Jan van Goyen, although he did not prescribe to their full tonality.

During these middle years de Molijn was busy as a teacher of Gerard ter Borch and may also have had other students. He collaborated with ter Borch, Frans Hals and possibly with Pieter de Grebber, Jacob de Wet, Jacob Pynas and Nicolaes Berchem. De Molijn painted landscape backgrounds for their figure compositions, while in some instances they added figures to his landscapes. In his late years, from 1648, De Molijn produced numerous variations on previous compositions, refining their established stylistic and iconographic patterns. He shows more imagination in the elaboration and arrangement of his designs (e.g. River Valley, 1659; Berlin, Gemäldegalerie), possibly under the influence of the work of Hercules Segers. The thick impasto of the foreground may have been inspired by Rembrandt’s example (Stechow).

In 1625, the year of de Molijn’s first dated landscape painting, he also produced a series of four etchings depicting rustic and military figures set in landscapes with dilapidated huts in the manner of Abraham Bloemaert. These prints, de Molijn’s only firmly established work in the medium, are remarkable for his exploitation of the expressive possibilities of the blank sky, which is contrasted with the undulating patterns of the foreground. He also explores in them the same diagonal composition used a year later in the Brunswick painting. This format, with a high foreground on one side and a distinct panoramic view on the other, was taken over by generations of later Dutch landscape painters.

De Molijn was a prolific landscape draughtsman, particularly in his later years. His earliest drawings, in pen and ink are similar to the graphic style of his etchings and have been compared to the landscape drawings of Jan II van de Velde, Hendrick Goltzius and Jacques II de Gheyn. Most of his drawings, however, are executed in black chalk with grey wash. They are almost invariably signed, and most are dated, the majority in the 1650s.

De Molijn’s work encompassed elements of both fantasy and reality. He was a transitional figure in the history of Dutch landscape painting whose oeuvre formed a bridge between the manneristic devices of the previous century and the new naturalism of the 17th century. He integrated both extremes in his art in an imaginative and individualistic manner. One of his contributions is the sensitive and keenly observed way in which he depicted the contemporary rural life of the Netherlands and its inhabitants. Although his figures are rather weakly drawn throughout his career, they are an important and integral part of his compositions.
De Molijn was appreciated as an outstanding artist in his own lifetime by Samuel Ampzing and Theodor Schrevelius. Although Houbraken later devoted only a short paragraph to De Molijn, his name found its way into the influential 18th-century dictionaries. In the 19th century Adam Bartsch established the artist as a fine printmaker, while van der Willigen uncovered archival evidence of his life and art. Only since the mid-1960s, however, hasd Molijn come to be recognized as one of the leading figures of early 17th-century Dutch landscape art along with Esaias van de Velde and Jan van Goyen.

Collections
Molijn is represented in the following collections: Rijksmuseum, Amsterdam; Frans Hals Museum, Haarlem; Museum Bredius, Netherlands; Courtauld Institute of Art, London; The Louvre, Paris; Royal Museums of Fine Arts, Brussels; Metropolitan Museum of Art, New York J. Paul Getty Museum; Fitzwilliam Museum at the University of Cambridge; Detroit Institute of Arts, Michigan; Fine Arts Museums of San Francisco; Museum of Fine Arts, Boston; National Gallery of Art, Washington D.C.; Block Museum of Art at Northwestern University, Illinois; Harvard University Art Museums, Massachusetts, amongst others.