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| Alfred de Bréanski Senior (London 1852 - London 1928)
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| Ellen’s Isle, Loch Katrine & Cattle Watering beside a Highland Loch
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a pair, both signed ‘Alfred de Bréanski’ (one lower left, one lower right)
oil on canvas
both 61 x 91.4 cm (24 x 36 in) (2)
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| George Clarkson Stanfield (London 1828 - London 1878)
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| A View of Heidelberg
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signed and dated 'GEORGE. C STANFIELD. 1863' (lower right)
oil on canvas
50 x 74 cm (19 3/4 x 29 1/4 in) |
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| George Cole (London 1810 - London 1883)
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| The Close of the Day
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signed and dated 'Geo.Cole.1878' (lower right)
oil on canvas
61 x 91.4 cm (24 x 36 in)
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| William Shayer Senior (Southampton 1787 - Shirley 1879) & Edward Charles Williams (1807 -1881)
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| Near Wantage, Berkshire
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oil on canvas
76 x 127 cm (30 x 50 in) |
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| Heywood Hardy, R.W.S. (Chichester 1842 - West Sussex 1933)
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| The Meet at the Bell Inn
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signed ‘Heywood Hardy-’ (lower left)
oil on canvas
40 x 57cm (15.7 x 22.4 in)
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| James Ward (London 1769 - Cheshunt 1859)
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| The Runaway Wagon
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signed and inscribed ‘I.WARD.x/Paddington’ (on the wagon)
oil on canvas
61 x 76.2 cm (24 x 30 in)
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| Alfred de Bréanski Senior(London 1852 - London 1928)
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| The Silver Strand, Loch Katrine
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signed 'Alfred. de Bréanski' (lower right) and further signed and inscribed '"The Silver Strand", Loch Katrine/by Moonlight/Alfred de Bréanski RBA...' (on the reverse)
oil on canvas
35.5 x 61 cm. (14 x 24 in.)
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| James Duffield Harding (London 1798 - London 1863)
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| Bologna
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watercolour over pencil heightened with bodycolour and gum arabic, on paper
19.6 x 29.4 cm (7¾ x 11½ in) |
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| Frederick Nash (British 1782 - 1856)
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| The Seine, Looking Towards the Louvre and the Pont Royal
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watercolour over pencil with bodycolour, scratching out and gum arabic
21.2 x 32.2 cm (8⅜ x 12⅞ in) |
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| William J Webb(e) (Cornwall fl.1853 - 1878)
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| Joseph and Pharoah
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signed with monogram and dated '1865' (lower left) and further signed and inscribed 'No. 1 W.J. Webb/Langham Chambers/Portland Place' (on the reverse of the frame)
oil on panel
(91.5 x 63.5 cm) 36 x 25 in |
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| Walter Heath Williams (British 1835 - 1906)
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| Harvest Time
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signed 'W.H.Williams' (lower left)
oil on canvas
44.5 x 64.7 cm (17½ x 25½ in)
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| Thomas Sydney Cooper (Canterbury 1803 - Vernon Holme 1902)
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| Bingley Gate, Canterbury
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signed and dated 'T S Cooper/jan 1834' (lower centre)
oil on canvas
45.7 x 61 cm (18 x 24 in)
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| John Sell Cotman (Norwich 1782 - London 1842)
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| The Mouth of the Yare
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indistinctly signed (lower right)
oil on canvas
55.9 x 81.3 cm (22 x 32 in)
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| John Holland Snr (British, 1799 - 1879)
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| Near Calandar, Scotland
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signed and inscribed 'Near Calandar, Scotland, J Holland Senr.' (lower left)
oil on canvas
59.7 x 90.1 cm (23½ x 35½ in)
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| John Frederick Herring Jnr (British 1815 - 1907)
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| A Peaceful Day in the Farmyard
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oil on canvas
36.2 x 60.9 cm (14¼ x 24 in)
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| John Frederick Herring Jnr (British 1815 - 1907)
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| Feeding Time
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signed ‘J.F. Herring’ (lower left)
oil on unlined canvas
36 x 50.8cm (14 x 20 in)
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| John Frederick Herring Jnr. (British 1815 - 1907)
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| A Corner of the Farm
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signed ‘J. F. Herring’ (lower centre)
oil on canvas
35.5 x 50.8 cm (14 x 20 in)
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| James Webb (London c. 1825 - London 1895)
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| A Barge in a Norfolk Landscape
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signed and dated ‘James Webb 59’ (lower left)
oil on canvas
72.5 x 102.2 cm (28½ x 42¼ in)
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| James Digman Wingfield (British 1800 - 1872)
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| The Opening of the Great Exhibition
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signed, inscribed and dated ‘Sketch J D Wingfield/MAY 1851’ (lower left)
oil on paper laid down on board
36 x 48 cm (14¼ x 19 in)
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| Henry Bright (Saxmundham 1814 - Ipswich 1873)
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| A Highland Croft
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signed ‘H Bright’ (lower left)
oil on canvas
60 x 109 cm (23⅝ x 42⅞ in)
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