Catherine the Great Visiting the Ice Mountain, St. Petersburg

signed, inscribed and dated 'Benj:Patersson pinxit 1788' (lower right)
grey ink and watercolour, heightened with gouache on paper
46 x 69.5 cm (18⅛ x 27⅜ in)

Ice Fair on the Neva River, St. Petersburg

signed and dated ‘Josef CHARLEMAGNE 1860’ (lower right)
gouache and paper
29.5 x 40 cm (11½ x 15⅝ in)

The Building of St. Isaac’s Cathedral, St. Petersburg with the Admiralty in the Distance

gouache on paper
21 x 27.5 cm (8¼x 10¾ in)

The Cathedral of Prince St. Vladimir

inscribed 'Church of St. Nicholas of The Bath and part of the port line bridge. Petersburg' (on the reverse)
watercolour heightened with white and gum arabic, on paper
24.5 x 37.5 cm (9¾ x 14¾ in)

Hospice de St. Olga, St. Petersburg

indistinctly signed, variously inscribed in Cyrillic and indistinctly dated '28... 1848' (lower right)
pencil and watercolour on paper
15 x 24.5 cm (6 x 9¾ in)

View of the St. Petersburg Stock Exchange

bears the inscription ‘Par Martos, Architecte de sa Majesté l’Empereur de toutes les Russiea’
and titled ‘Vue du Pallais de la Bourse de St. Petersburg’ (on the mount)
watercolour on paper
20.3 x 41.3 cm (8 x 16¼ in)

View of the Stock Exchange, St. Petersburg & View of the Dutch Church, St. Petersburg

one indistinctly inscribed and with the inscription 'vue la Bourse de Petersbourg'
pencil and watercolour on paper, with pen and black ink framing lines; pen and grey wash on paper
14.4 x 17.3 cm (5⅝ x 6¾ in); 10.5 x 20.5 cm (4¼ x 8⅛ in) (2)

Three Views of St. Petersburg: Gatchina Palace; The Stock Exchange; Senate Square with the Neva beyond

gouache on paper
two 28.8 x 42.2 cm (11⅜ x 16⅝ in); one 24.1 x 36.8 cm (9½ x14½ in) (3)

A View of the Neva River, St. Petersburg

gouache on paper
22 x 35.5 cm (8½ x 14 in)

A View of Elagin Island Palace

gouache on paper
22.5 x 32 cm (8¾ x 11¾ in)

La Bourse, St. Petersburg

signed with initials, inscribed and dated 'La Bourse. Petersburg/W.M.[?] June 3rd 1823' (lower left)
pencil and watercolour
19.1 x 29.3 cm (7½ x 11½ in)

View of Kamenny Island with the Palace of Alexander I and Count Stroganoff's Dacha

gouache on paper
20.5 × 29.5 cm (8 x 11⅝ in)

The Assassination of Alexander II

gouache on paper
101.5 x 135 cm (40 x 53⅛ in)

The Red Square, Moscow

oil on canvas
71 x 92 cm (27.9 x 36.2 in)

The Kutafia and Troitskaia Towers, the Moscow Kremlin & Sleigh Ride through Village

both signed in Cyrillic (lower left)
pencil and watercolour, one with gum arabic, on paper
16.5 x 24 cm (6½ x 9⅝ in); 12.7 x 17.7 cm (5 x 7 in) (2)

The Church of the Dormition of the Theotokos

signed, inscribed and dated ‘Jos Andreas/Weiss St Petersburg/1845’ (on the reverse)
watercolour on paper
29.2 x 40 cm (11½ x 15¾ in)

The Cathedral of the Dormition, Moscow

signed 'Henry C Brewer R.I.' (lower left)
watercolour on paper
32 x 45 cm (12½ x 17¾ in)

The Trinity Gate, Moscow & The Kremlin from the Moskvoretsky Bridge

watercolour on paper, a pair
each 26.5 x 20 cm (10½ x 7¾ in) (2)

View of the Entrance to the Andronikov Monastery, Moscow

watercolour and pencil on paper
37.2 x 54 cm (14⅝ x 21¼ in)

Two Views of the Kremlin

pencil and sepia wash
each 15.2 x 10.7 cm (6 x 4¼ in) (2)

Novodevichy Convent in Spring

signed in Cyrillic and dated '92' (lower right)
pen, ink and watercolour
17.7 x 24.2 cm (7 x 9½ in)

The All-Russian Exhibition centre, Moscow

oil on canvas
69.5 x 59.5 cm (27¼ x 23½ in)

View of a Russian Provincial City

pencil and watercolour on paper
40.6 x 57.8 cm (16 x 22¾ in)

Kolomenskoye

sepia wash on paper
10.5 x 16.5 cm (4⅛ x 6½ in)

View of the Ayu Dag

signed in Cyrillic and dated ‘75’ (lower right)
watercolour on paper
27.5 x 39.5 cm (10¾ x 15½ in)

Moonlight

signed in Cyrillic (lower right)
gouache on paper
21 x 29 cm (8¼ x 11⅜ in)

Coste della Crimée, c.1842

with Travellers in a Mountainous Landscape (verso)
watercolour
21.5 x 27 cm (8½ x 10⅝ in)

Sailing Ships on the Black Sea at Trabzon

signed in Cyrillic and dated ‘1885’ (lower right)
wash heightened with white
23 x 33.5 cm (9 x 13¼ in)

Boats by the Shore

signed in Cyrillic (lower left), inscribed in Cyrillic and dated ‘Sudak 1903’ (lower right)
watercolour on paper
23 x 30 cm (9 x 11⅞ in)

View of Simbirsk

inscribed on the mount
watercolour on paper
20 x 36 cm (8 x 14¼ in)

The Conflagration

signed in Cyrillic (lower left) and dated ‘September 1836’ (lower right)
watercolour on paper
20 x 33 cm (7⅞ x 13 in)

View of Tallinn

signed ‘Konsti Karlsonn’ and indistinctly inscribed (lower left)
oil on canvas laid on board
21 x 33.5 cm (8½ x 13 in)

View of Riga

signed ‘A. Boitmann/1891’ (lower right)
oil on canvas
61 x 110 cm (24 x 43 in)

St. Olav’s Church, Reval, Estonia

signed twice in Cyrillic and dated ‘1864’ (lower right), further inscribed in Cyrillic ‘Reval’ (lower left)
oil on canvas
27 x 36 cm (10 x 14 in)

View of Reval

brown wash on paper
11 x 16.5 cm (4⅜ x 6½ in)

View of the Pechersk Lavra, Kiev

titled in Cyrillic; further inscribed 'La Ville de Kieff' (on the mount)
watercolour and ink over pencil on paper
20.2 x 29.4 cm (8 x 11½ in)

The Port of Archangel in Winter

watercolour and gouache on paper
20.3 x 52.7 cm (8 x 20¾ in)

The Port of Nikola at the Mouth of the River Angara & View of Irkutsk

both inscribed 'Haupt' (lower right) in ink and further inscribed with descriptions of views
watercolour and ink on paper, a pair
both 27 x 37 cm (10 x 14 in) (2)

Six Scenes from Siberian Villages

the first bears the inscription ‘Deep Snow - Russian Village near Tomsk’ (lower left) and a collector’s mark ‘XII/no 10’ lower right;
the second bears the inscription ‘Steppe Village near Tomsk’ (lower left);
the third bears the inscription ‘View in Tomsk’ (lower left) and a collector’s mark ‘6”a/no 15’ (lower right);
the fourth bears the inscription ‘Tartar Street Cemapolatinsk’;
the fifth bears the inscription ‘street in Minusinsk’
pencil on paper
the largest 25.5 cm x 36.2 cm (10 x 14¼ in); the smallest 20.8 x 34.8 cm (8⅛ x 13¾) (6)

A Provincial Churchyard

signed with initials and dated ‘1841’ (lower right)
pencil and wash on paper
24 x 34 cm (9½ x 13½ in)

A Crucession

signed in Cyrillic and dated ‘1924’ (lower right)
ink and watercolour on paper
35.5 x 76 cm (14 x 30 in)

SOLD

Two Boys Fishing

signed in Cyrillic (lower left), indistinctly inscribed in Cyrillic and dated ‘1st October 1896’ (lower right)
watercolour on paper
37 x 24 cm (14½ x 9½ in)

Harbour Scene

signed ‘M Lattry’ (lower right)
pencil, watercolour and gouache on paper
30 x 36 cm (11¾ x 14⅛ in)

View of a Russian Village in Winter

signed in Cyrillic (lower right)
pencil, watercolour and wash on paper
25.5 x 38.5 cm (10 x 15⅛ in)

Le Cabaret de Moskou

pen and black ink with gray wash on paper
19 x 23.5 cm (7½ x 9¼ in)

A Russian Fête Champêtre

pen and black ink and grey wash, over traces of black chalk, on paper
oval; 38 x 33.5 cm (15 x 13⅛ in)

A Shepherd Resting, Two Figures Behind

black chalk, pen and brown ink, brown wash, on paper
16.8 x 14 cm (6⅝ x 5½ in)

Study of Heads

titled and inscribed on a label on the reverse
red chalk and pencil on paper laid on board
21.8 x 12.3 cm (8⅝ x 5 in)

Portrait of Fedor Chaliapin

signed in Cyrillic and dated ‘20th May’; bears a further date ‘1888’ (lower left);
further inscribed (verso) and with various collector’s marks (recto & verso)
pencil on paper laid on board
33.8 x 25.5 cm (13¼ x 10 in)

SOLD

Studies for Figures on the Nevsky Prospect in St. Petersburg

signed in Cyrillic (lower center);
authenticated in Russian ‘The drawing of Professor I.E. Repin “Nevskii Prospekt” Spb 1891 I verify, his daughter Vera I.L. Repina Kuokkala Penati 1937.’ (on reverse)
charcoal on paper
29.7 x 40.5 cm (11¼ by 16 in)

A Man with a Hat

signed in Cyrillic (lower right)
pencil on paper
17 x 10 cm (6¾ x 3⅞ in)

Salome

signed in Cyrillic and dated ‘1893’ (lower right);
with a collector’s mark (upper right)
pencil on paper
28 x 20 cm (11 x 7⅞ in)

A Russian Wooden Church in a Graveyard

signed in Cyrillic and dated ‘73’ (lower left)
pencil on card
20.4 x 22.5 cm (8 x 8⅞ in)

View of Krasnoye Selo

signed with initials, and inscribed and dated in Cyrillic ‘1st August 76/ Krasnoe Selo’ (lower right)
pencil on paper
9.5 x 15 cm (3¾ x 5⅞ in)

Portrait of Sir George Buchanan, the British Ambassador

signed in Cyrillic and dated ‘1916’ (lower left);
with later inscription in Russian ‘Sir George Buchanan’ (lower left)
pencil and crayon on brown paper
47 x 30 cm (18½ x 11¾ in)

Study for 'Zaporozhian Cossacks Writing a Letter to the Turkish Sultan'

signed in Cyrillic and dated '1878' (lower centre), numbered 52 (lower right); further numbered 115 (on the reverse)
pencil and grey wash on paper
23.5 x 33.1 cm (9¼ x 13 in)

Eight Scenes of Russian Life

one signed ‘Collman’ (lower right); one dated 1842 (lower right); one signed and dated ‘Collman/ 1842’ (lower left);
one dated 1846 (lower left); one signed and dated ‘Collman 1819’ (lower centre)
watercolour over pencil heightened with white on paper
each 6 x 8 cm (2½ x 3¼ in) (8)

A Russian County Fair & A Russian Baptism

one signed and dated ‘C. Kollmann St Petersbourg 1812.’ (lower right) and numbered 10;
the other signed ‘C.Kollmann. St Petersburg.’ (lower centre)
pencil and watercolour on paper
each 23.6 x 32 cm (9½ x 12⅝ in) (2)

A Russian Peasant Selling Fish & A Russian Peasant with a Sledge

one signed, inscribed and dated ‘C Kollmann. St Petersburg 1912.’ (lower left), and inscribed ‘Marchant de Poissons/18’ (lower centre);
the other signed, inscribed and dated ‘C Kollmann. St Petersburg .. 1812 St Petersburg’ (lower right), and inscribed ‘Kabitka des Invalides’ (lower centre)
pencil and watercolour on paper
each 23.6 x 32 cm (9½ x 12⅝ in) (2)

Two Roadside Scenes with Cart and Horse

one signed, inscribed and dated ‘C Kollman St. Petersburg 1812’ (lower left);
the other signed, inscribed and dated ‘C. Kollman 1812/ St. Petersburg’ (lower centre)
watercolour and ink
each 20 x 27cm (8 x 10½in) (2)

Two Roadside Scenes

one signed inscribed and dated ‘C. Kollmann fecit/ St Petersbourg 1812’ (lower centre); the other signed ‘C. Kollmann’ (lower left)
watercolour and ink on paper
each 20 x 28 cm (8 x 11 in) (2)

The Bread Seller & The Kvas Vendor

one signed and dated ‘Kollman 1839’ (lower left)
watercolour on paper laid down on board; watercolour heightened with white on paper
20 x 17.5 cm (7⅞ x 6⅞ in); 20 x 23 cm (7⅞ x 9 in) (2)

St. Petersburg Itinerants & Coachmen outside the Cathedral of the Mother of God of Kazan, St. Petersburg

one dated 1846 (lower left); the other signed and dated ‘C. Kollmann 1820’ (lower centre)
pencil and watercolour on paper
16 x 23.5 cm (6¼ x 9¼ in); 15 x 21 cm (6 x 8¼ in) (2)

Peasants on a Cliff Path & Peasants on a Sleigh

one dated 1838 (lower right); the other signed and dated ‘C. Kollmann/ 1846’ (lower left)
pencil and watercolour on paper
18.7 x 27.4 cm (7⅜ x 10¾ in); 26 x 22.5 cm (10¼ x 8⅞ in) (2)

Navvies Lunching; The Kvas Vendor; A Couple Giving Alms to a Beggar

two signed and dated ‘C. Kollmann 1842’ (one lower right, one lower centre)
pencil and watercolour on paper
21 x 31.4 cm (8¼ x 12¾ in); 17 x 23 cm (6¾ x 9 in); 12.5 x 17 cm (4⅞ x 6¾ in) (3)

The Coachman; Navvies; The Old Soldiers

one signed and dated ‘Kollmann/ 1843’ (lower left); two signed and dated ‘Collman/ 1840’ (lower centre)
watercolour and ink, over pencil on paper
13 x 18.5 cm (5⅛ x 7¼ in); 18.2 x 23.5 cm (7⅛ x 9¼ in); 19 x 25.5 cm (7½ x 10 in) (3)

A Strong Wind

signed and dated ‘Aivasovsky 1856’ (lower right)
pencil and gouache on paper
23 x 32.7 cm (9 x 12⅞ in)

Expertise: Grabar-Institutes Moscow, 22nd February 2005, No. 261-EK-149-05.

Shipwreck

signed and dated ‘Aivasovsky 1856’ (lower right)
pencil and gouache on paper
23 x 32.7 cm (9 x 12⅞ in)

Expertise: Grabar-Institutes Moscow, 22nd February 2005, No. 261-EK-149-05.

A Russian Merchant Brig in Rough Seas

signed in Cyrillic (lower right)
watercolour and bodycolour on paper
11.4 x 15.8 cm (4½ x 6¼ in)

The Russian Corvette ‘Prince of Warsaw’, at Plymouth, the Grand Duke in the Admiral's Barge

signed 'N. Condy' and inscribed with title on separate strip of paper
sepia watercolour heightened with gouache
15 x 21.8 cm (6 x 8⅝ in)

Portrait of a Young Woman

signed ‘Harlamoff’ (lower left)
charcoal on paper
51 x 37 cm (20 x 14½ in)

A Young Girl in Traditional Costume

signed and dated ‘Harlamoff/1881’ (lower right)
black ink on paper
46 x 30 cm (18⅛ x 11¾ in)

Resting Peasant

signed in Cyrillic and dated ‘1911’ (lower right)
watercolour on paper
34 x 27 cm (13½ x 11⅜ in)

Une Parisienne

signed in Cyrillic and dated 1875 (lower left) and inscribed and dated ‘Paris/75’ (lower right)
pencil on paper
30.5 x 22.8 cm (12 x 9 in)

Hunters on Horseback in a Pine Forest

signed in Cyrillic (lower left)
pencil and watercolour on paper
14 x 20.7 cm (5½ x 8⅛ in)

A Ukrainian Peasant Girl

signed and indistinctly inscribed in Cyrillic and dated ‘1902/14 Aug/...’ (centre right)
pencil, charcoal and watercolour on paper laid on board
34.2 x 25.3 cm (13½ x 10 in)

Portrait of an Arab

signed in Cyrillic (lower right)
gouache on board
35.5 x 25.1 cm (14 x 9⅞ in)

A Study for ‘A Street Scene in Cairo’

signed ‘C. Makowsky’ (lower right)
watercolour on paper
29.5 x 22 cm (11½ x 8¾ in)

A Cairo Street Scene

signed ‘C. Makovsky’ (lower left)
watercolour on paper
35 x 49 cm (13 x 19 in)

Unloading Boats on the Bosphorus

watercolour on paper laid down on board
17.2 x 23.2 cm (6¾ x 9⅛ in)

Sunset on the Golden Horn, Istanbul

signed ‘JPavlikevitch’ (lower right)
pencil and watercolour on paper
17.8 x 21.9 cm (7 x 8⅝ in)

On the Bosphorus

signed and inscribed 'Istanbul/Pavlikevitch' (lower left)
watercolour over pencil on paper
16 x 22.5 cm (6¼ x 8⅞ in)

Figures in the Courtyard of the Bayezid II Mosque

inscribed and signed 'Istanbul/ J Pavlikevitch' (lower left) and inscribed in French (lower right)
watercolour on paper
43.2 x 29.2 cm (17 x 11½ in)

The Interior of a Mosque

inscribed, dated and signed 'Stanboul 919/Pavl...' (lower left)
watercolour over pencil on paper
43.5 x 27 cm (17 x 10½ in)

Constantinople Street Café

signed and inscribed 'Constantinople/Pavlikevitch' (lower right)
watercolour over pencil on paper
30 x 20 cm (11⅞ x 7⅞ in)

A Market Scene

inscribed, dated and signed 'Stanboul 14/Pavlikevitch' (lower left)
watercolour over pencil
43.5 x 27 cm (17 x 10½ in)

Street Vendors

inscribed, dated and signed 'Stanboul 919/Pavl...' (lower left)
watercolour over pencil
43.5 x 27 cm (17 x 10½ in)

Praying Nomads

signed in Cyrillic (lower right)
watercolour on paper laid down on board
30.5 x 85 cm (12 x 33⅜ in)

SOLD

Circassians at the Fort of Waia, 8th October 1855

inscribed 'Circassians at the Fort of Waia/ 8th Octr 1855' (lower left), signed and dated 'Wm Simpson/ 1858' (lower right)
pencil and watercolour on paper
25.4 x 42.6 cm (10 x 16¾ in)

Circassia. Tcherkess of the Soubash.

signed and dated ‘Wm. Simpson. 1875’ (lower right) and inscribed ‘Circassians’ (lower left), signed again ‘Wm. Simpson.’ and inscribed as titled on The Fine Art Gallery label (on the reverse)
pencil and watercolour heightened with white on paper
17.2 x 12 cm (6¾ x 4¾ in)

Bukharan Jews

signed, inscribed and dated in Cyrillic ‘3 February 1875’ (lower right)
pencil on coloured paper
33.7 x 22.5 cm (13¼ x 8⅞ in)

A Desert Fort

signed in Cyrillic (lower right)
red chalk on paper
46.3 x 61.6 cm (18¼ x 24¼ in)

Portrait of a Kirghiz

inscribed, signed and dated 'Merghen/ Kirghiz/ Reyik Karane/ A Iacovlev/ 4 Sept. 1931' (lower right)
pastel and chalk on paper
52 x 36.5 cm (20½ x 14¼ in)

A House in North Africa

signed in Cyrillic (lower left)
watercolour on paper
21.5 x 27 cm (8½ x 10⅝ in)

A Study of the People of Central Asia

signed in Cyrillic (lower right)
pencil and grey wash on paper
9.3 x 14.5 cm (3⅝ x 5¾ in)

Mongolian Landscape: Bure-yin-gol, Tsaidam

inscribed ‘N. Roerich’ ‘N.62 1928’ and ‘Mongolian Landscape by N. Roerich, .890’ by Louis Horch (on reverse)
gouache on cardboard
38 x 47cm (12¼ x 16 in)

Koktebel

signed with monogram and dated '1928' (lower left)
with a dedication in Cyrillic: 'Dear Boris Ivanovich in memory of Koktebel/
according to some maps here used to be a town and port/ Maximilian Voloshin' (lower left)
pen and watercolour on paper laid on cardboard
26.2 x 34 cm (10¼ x 13¼ in)

Koktebel at Dusk

with an indistinct dedication in Russian; signed in Cyrillic, inscribed and dated 'Koktebel'/1918' (lower right)
pencil, watercolour and ink on paper
26 x 34.7 cm (10¼ x 13½ in)

Lake Victoria, Great Pamir, May 2nd, 1874

signed with initials ‘T.E.G.’ (lower left)
watercolour on paper
15.2 x 24.1 cm (6 x 9 ½ in)

A Kirghiz Gathering

signed in Cyrillic and dated ‘92’ (lower right)
pencil, watercolour and gouache with gum arabic, on paper laid on card
17.8 x 14 cm (7 x 5½ in)

Cavalry in the 1812 Campaign

signed in Cyrillic (lower right) and dated ‘93’, further inscribed on reverse
pen and ink heightened with gouache on paper laid on card
31.25 x 22.75 cm (12¼ x 9 in)

Horse Watering at the Edge of a Battlefield

signed in Cyrillic (lower left)
gouache on paper
29.3 x 45.8 cm (11½ x 18 in)

Cossack on Horseback

signed and inscribed in Cyrillic and dated '28 [Oct ]1895' (lower right)
ink and wash on paper
28.5 x 38 cm (11¼ x 15 in)

Barge Haulers

signed and dated ‘T. Gorschelt/1869’ (lower right)
pencil and watercolour on paper laid on paper
19 x 40.3 cm (7½ x 15⅞ in)

The Road to Chernomor

signed in Cyrillic (lower right), variously inscribed in Cyrillic (near each figure)
watercolour and gouache on paper
17 x 21cm (6¾ x 8¼ in)

Hunting with Borzoi

signed in Cyrillic and dated ‘1890’ (lower right)
pen, brush and black ink and gouache on paper
45 x 63.5 cm (17¾ x 25 in)

A Rest on the Way

pen and watercolour on paper
11 x 16.5 cm (4¼ x 6½ in)

Winter Sleigh Ride

signed in Cyrillic, inscribed and dated ‘1859’ (lower left)
pencil and watercolour on paper
22 x 32.5 cm (8¾x 12¾ in)

Winter Landscape

signed in Cyrillic and dated '1905' (lower right)
watercolour and gouache on paper
18.5 x 40.5 cm (7¼ x 16 in)

Cavalry Battle

signed in Cyrillic (lower right)
pencil and watercolour on paper
oval 18 x 25 cm (7⅛ x 9⅞)

A Singing Peasant

signed with Cyrillic initials, inscribed and dated ‘A.S?.1856./Roma’ (lower left);
further inscribed in Russian ‘Ah you and me./Ah me and you’ (upper left), the same phrase paraphrased in excised letters (lower right)
pencil and brown wash on paper
29.5 x 22.5 cm (11⅝ x 8⅞ in)

A Courier on a Journey to Astrakan & A Russian Soldier Riding in a Droschke

one inscribed and dated ‘...courier on a Journey from Petersburg/ to Astrakan June 4th 1823’ and further inscribed (lower left);
the other inscribed ‘a Droshke’ (lower centre) and dated ‘St. Petersburg July 5th 1823’ (lower right)
watercolour and ink on paper
each 17 x 23.6 cm (6⅝ x 9¼ in) (2)

An Officer in a Horse-Drawn Carriage, St. Petersburg

inscribed and dated ‘Petersburg/2 April 1875’ (lower left);
further inscribed and dated ‘22 april 1875/ St. Petersburg’ (lower right)
pencil, pen and black ink and watercolour on paper, heightened with white
12.6 x 21 cm (5 x 8¼ in)

Scenes of Peasant Life

signed 'N. Malischeff' (lower left)
with a watercolour study (verso)
ink and gouache on paper
50 x 36 cm (19¾ x 14 in)

The Couple

signed in Cyrillic and dated 1843 (lower left)
pencil and watercolour on paper
20.5 x 16 cm (8 x 6¼ in)

Scenes from Russian Life

signed in Cyrillic and dated 1838-43 (lower left and lower right variously)
pencil, black ink and wash on paper
largest 34 x 41.6 cm (13⅜ x 16½ in); smallest 23.9 x 28.4 cm (9⅜ x 11¼ in) (8)

Tending to the Horses

indistinctly signed and inscribed 'Opitz....' (lower centre, on the crate)
watercolour over pencil on paper
24 x 28.5 cm (9½ x 11¼ in)

A Settlement on the Banks of a River

watercolour on paper
34 x 49 cm (13⅜ x 19¼ in)

A Russian Village Street; Old Poland; Inside the Grand House

the first two signed 'Dobuzhinsky', one indistinctly dated '3...' (lower right) and one dated '23' (lower left); the latter signed with monogram 'MD' (lower right)
two pencil on paper; one watercolour and gouache on paper
23 x 28 cm (9 x 11 in); 23 x 30.2 cm (9 x 11⅞ in); 14.3 x 23 cm (5⅝ x 9 in) (3)

Edge of a Pine Forest

signed in Cyrillic and dated ‘1884’ (lower right)
graphite and charcoal on paper
32.5 x 46.5 cm (12¾ x 18¼ in)

The Rape of the Sabine Women

signed in Cyrillic (lower right) and dated '27 August 1867' (lower right)
pen and ink heightened with bodycolour over pencil on paper
54 x 76 cm (21½ x 30 in)

The Storm

signed in Cyrillic (lower right)
graphite, pen, ink and wash heightened with white, on paper
13 x 19.7 cm (5¼ x 7¾ in)

Peasants Venerating an Icon at a Roadside Shrine

signed indistinctly (lower right)
pencil, charcoal and gouache on coloured paper
48.3 x 76.3 cm (19 x 30 in)

SOLD

Six Roundels Depicting Horsemen

five signed with monogram: four dated ‘1815’; one dated ‘1816’
pencil and gouache with gum arabic on paper
each 9.8 cm (3⅞ in) diameter (6)
mounted as one, in folder bound in red morocco leather with a plaque engraved ‘à Michel Lanskoy’

Soldiers Returning Home

signed in Cyrillic (lower left) and ‘IPrianishnikov’ (lower right)
watercolour over pencil heightened with white on paper
15.5 x 27 cm (6¼ x 10½ in)

Resting Troops

signed in Cyrillic (lower left)
pencil and watercolour, heightened with white, on buff paper
14.6 x 27 cm (5¾ x 10 in)

The Grand Duke Constantine’s Regiment of Cuirassiers of the Imperial Russian Army in 1806

signed and dated ‘Johann Paul Fischer fit 1815’ (lower left); dated 1815 (on the reverse);
the mount inscribed with title and dated 1806
watercolour over pencil on paper, with pen and ink
20.5 x 29 cm (8 x 11½ in)

Russian Uralsk & Don Cossacks on the Attack

signed, inscribed and dated ‘J. Paul Fischer fit. /London 1814’ (lower left);
further inscribed with title and dated 1806, on the original wash-line mount
pen, grey ink and watercolour over pencil on paper, heightened with touches of bodycolour
20.5 x 29 cm (8 x 11½ in)

Imperial Convoy

signed in Cyrillic (lower right)
watercolour on paper
23 x 47.5 cm (9 x 18¾ in)

Travellers in a Caucasian Landscape

signed ‘C. Philippoff.’ (lower right)
pencil and watercolour on paper
21.6 x 30.5 cm (8½ x 12 in)

Tales of the War

signed in Cyrillic and dated ‘1859’ (lower right)
watercolour on paper
16 x 21 cm (6¼ x 8½ in)

A Russian Cavalry Officer (recto) and Other Sketches of Various Characters (verso)

signed in Cyrillic (lower right)
pen and ink on paper
28.5 x 38.8 cm (11¼ x 15¼ in)

Two Cossacks on Guard & Study of a Log Sleigh

one inscribed 'St. Petersburg, Feb, 1830' (upper right)
watercolour with pencil on paper
12.5 x 9.5 cm (5 x 3¾ in); 8.5 x 15 cm (3⅜ x 5⅞ in) (2)

Tatar Troops Swearing Allegiance to the Tsar Before the Regiment Banner

signed ‘O. Gerlach’ (lower left)
watercolour and gouache on paper
31 x 46.5 cm (12¼ x 18⅓ in)

Tried for his Life

signed and dated 'W/ RUSSELL/ FLINT/ 1904' (lower right)
watercolour heightened with gouache
46.5 x 72 cm (18¼ x 28¼ in)

Encore un Pourceaugnac

titled and inscribed on mount ‘Encore un Pourceaugnac/
Je suis un de ces pauvres provinciaux sur le compte du quel on cherche toujours à se divertir’
watercolour and bodycolour on paper, laid down on board
20 x 26.3 cm (7⅞ x 10⅜ in)

The Garden Party

with partially effaced inscription in Cyrillic (on the reverse)
watercolour on paper
19.5 x 24 cm (7¾ x 9½ in)

Afternoon Pursuits of a Lady

signed and dated 'L. Premazzi 1846' (lower left);
signed, inscribed and dated on the mount 'L. Premazzi Milanesi, a St Pietroburgo 1846'
watercolour over pencil on paper
16 x 24 cm (6 x 9 in)

Greek Lying on a Rock & Study of a Head

one signed with monogram (upper right)
ink on paper; pencil on paper
21.7 x 26 cm (8⅝ x 10¼ in); 25.3 x 20.3 cm (10 x 8 in)(2)

Hougoumont Farm, Waterloo & Outside Hougoumont Farm

one signed and dated ‘A. Bogoliubov/1870’ (lower right) and inscribed ‘Waterloo fer de Goumont’ (lower left);
the other inscribed ‘F. Goumont.’ (lower left), signed in Cyrillic (lower right)
black and white chalk on paper; gouache and watercolour on paper
56 x 71.5 cm (22⅛ x 28⅛ in); 39 x 50.5 cm (15⅜ x 19⅞ in) (2)

Working in Soil in the Apple Orchard

signed in Cyrillic and dated ‘1908’ (lower right)
gouache over pencil on paper
33 x 54 cm (13 x 21¼ in)

In the Fields

signed in Cyrillic and dated ‘S. Kolesnikov 1919/I/10’ (lower left)
gouache on board
14.2 x 27.9 cm (5⅝ x 11 in)

Two Views of Chile

both signed 'Boris Grigoriev' (one lower right, the other lower left)
gouache and ink on card
37.5 x 50.5 cm (14¾ x 20 in); 34.5 x 50.5 cm (13½ x 20 in) (2)

The Andes, Chile

signed 'Boris Grigoriev' (lower right)
pencil, watercolour and gouache on paper
34.3 x 50.3 cm (13½ x 19¾ in)

Cattle at Rest

signed ‘Boris Grigoriev’ (lower left)
gouache on paper
40 x 55.5 cm (15¾ x 21¾ in)

Reclining Nude

signed ‘Ph Maliavin’ (lower left)
pastel on paper
48.8 x 63.5 cm (19¼ x 25 in)

Peasant Girl in a Colourful Shawl

signed with initials (lower left); signed ‘PhMaliavin’ (lower right)
pencil and coloured crayons on paper
35 x 25 cm (13¾ x 9⅞ in)

Head and Torso of a Woman in Russian Dress

signed ‘PhMaliavin’ (centre right)
pencil and coloured chalk on paper
46 x 32.4 cm (18 x 12¾ in)

Head and Torso of a Woman in a Kerchief

signed ‘PhMaliavian’ (centre right)
pencil and black chalk, with touches of red and blue chalk, on paper
44.4 x 32 cm (17½ x 12⅝ in)

Portrait of a Woman

signed, inscribed and dated ‘Paul Mak/1948/Bruxelles’ (upper right)
pencil, ink and coloured crayon on paper
43 x 37 cm (16⅞ x 14⅛ in)

St. Paul du Var

signed 'NBenois' (lower right)
further inscribed on original, Arthur Tooth & Sons label on the reverse
pen and ink wash on paper
39 x 60 cm (15½ x 23¾ in)

SOLD

Portrait of the Artist’s Daughter, Marika (Rivera), aged 23, with a Lover

signed and dated ‘42/Marevna’ (lower left)
pencil, pen, black ink, watercolour and gouache on paper
63.5 x 48.2 cm (25 x 19 in)

Stage Design for 'The Firebird’, Act II

signed and inscribed 'Oiseau de Feu/ décors II tableau/ N. Goncharova' (lower right)
watercolour over pencil on paper, with gouache and gold paint
69 x 29.5cm (27 x 11¾in)