|
|
|
Jean-Baptiste Le Prince (Metz 1734 - Saint-Denis-du-Port 1781)
|
|
|
|
A Russian Fête Champêtre
pen and black ink and grey wash, over traces of black chalk, on paper
oval; 38 x 33.5 cm (15 x 13⅛ in)
|
|
| |
 |
|
|
|
|
|
Studio of Jusepe de Ribera (Játiva, Valencia 1591 - Naples 1652)
|
|
|
|
Saint Paul the Hermit
oil on canvas
117.8 x 97.1 cm (46⅜ x 38¼ in)
SOLD
|
|
| |
|
|
|
|
|
|
Nikolai Nikolaevich Karazin (Kharkov 1842 - Gatchina 1908)
|
|
|
|
A Kirghiz Gathering
signed in Cyrillic and dated ‘92’ (lower right)
pencil, watercolour and gouache with gum arabic, on paper laid on card
17.8 x 14 cm (7 x 5½ in)
|
|
| |
|
|
|
|
|
|
Giovanni Battista Tiepolo (Venice 1697 - Madrid 1770)
|
|
|
|
Death of Seneca
pen and brown ink and grey wash over black chalk
42.8 x 28.2 cm (16⅞ x 11⅛ in)
|
|
| |
|
|
|
|
|
|
François Boucher (Paris 1703 - Paris 1770)
|
|
|
|
Diana and Callisto
pen and brown ink over black chalk with touches of grey-brown wash, on paper washed pink,
within brown ink framing lines, with some retouching by a later hand
28.5 x 41.4 cm (11½ x 16⅓ in)
SOLD
|
|
| |
|
|
|
|
|
|
Ivan Alekseevich Ivanov (Russian 1779 - 1848)
|
|
|
|
Evening Riverscape with Fishermen
signed in Cyrillic and dated '1845' (lower right)
oil on canvas
45 x 58 cm (17¾ x 22¾ in)
|
|
| |
|
|
|
|
|
|
Frants Alekseevich Rubo (Roubaud) (Odessa 1856 - Munich 1928)
|
|
|
|
Lone Cossack Horseman
signed and dated ‘F Roubaud/93’ (lower right)
oil on board
18 x 13.5 cm (7 x 5¼ in)
|
|
| |
|
|
|
|
|
|
Richard Karlovich Zommer (Munich 1866 - Russia 1939)
|
|
|
|
Street Scene in Samarkand
signed, inscribed and dated ‘R. Zommer/ Samarkand/ 1895’ (lower right)
oil on canvas
85 x 62 cm (33½ x 24½ in)
SOLD
|
|
| |
|
|
|
|
|
|
Maksimilian Aleksandrovich Voloshin (Kiev 1877 - Koktebel 1932)
|
|
|
|
Koktebel
signed with monogram and dated '1928' (lower left)
with a dedication in Cyrillic: 'Dear Boris Ivanovich in memory of Koktebel/
according to some maps here used to be a town and port/ Maximilian Voloshin' (lower left)
pen and watercolour on paper laid on cardboard
26.2 x 34 cm (10¼ x 13¼ in)
|
|
| |
|
|
|
|
|
|
Konstantin Alexandrovich Trutovsky (Kursk, Ukraine 1826 - Ukraine 1893)
|
|
|
|
City Travellers Being Offered Fruit at a Ukrainian Roadside Dwelling
signed and dated ‘1873’ (lower right)
oil on canvas
36 x 60 cm (14 x 23¾ in)
|
|
| |
|
|
|
|
|
|
Nikolai Konstantinovich Roerich (St. Petersburg, Russia 1874 - Nagar, India 1947)
|
|
|
|
Knight of the Morning
signed with monogram (lower right)
painted in 1918 in Finland and part of Eternal Knight series
tempera on board
73.4 x 73 cm (29 x 28¾ in)
with pencil and ink sketch on the reverse for the painting Fairest City is the Enemy's Vexation
|
|
| |
|
|
|
|
|
|
John Atkinson Grimshaw (Leeds 1836 - Leeds 1893)
|
|
|
|
Greenock Harbour at Night
signed and dated ‘Atkinson Grimshaw 93’ (lower right) and
further signed and inscribed ‘Greenock-/Atkinson Grimshaw 93’ (on the reverse)
oil on canvas
30.5 x 45.7 cm (12 x 18 in)
|
|
| |
|
|
|
|
|
|
Carl Spitzweg (Munich 1808 - Munich 1885)
|
|
|
|
Der Klauser auf der Höh (The Monk on High)
signed with monogram (lower left)
oil on canvas
53.3 x 32.3 cm (21 x 12¾ in)
|
|
| |
|
|
|
|
|
|
Andrei Nikolaievich Schilder (St. Petersburg 1861 - St. Petersburg 1919)
|
|
|
|
A Wooded Landscape
signed in Cyrillic ‘A. Schilder’ (lower left)
oil on canvas
43.5 x 73.5 cm (17¼ x 29 in)
SOLD
|
|
| |
|
|
|
|
|
|
Ivan Konstantinovich Aivazovsky (Feodosija 1817 - Feodosija 1900)
|
|
|
|
Shipwreck
signed and dated ‘Aivasovsky 1856’ (lower right)
pencil and gouache on paper
23 x 32.7 cm (9 x 12⅞ in)
Expertise: Grabar-Institutes Moscow, 22nd February 2005, No. 261-EK-149-05.
|
|
| |
|
|
|
|
|
|
Ivan Konstantinovich Aivazovsky (Feodosija 1817 - Feodosija 1900)
|
|
|
|
A Strong Wind
signed and dated ‘Aivasovsky 1856’ (lower right)
pencil and gouache on paper
23 x 32.7 cm (9 x 12⅞ in)
Expertise: Grabar-Institutes Moscow, 22nd February 2005, No. 261-EK-149-05.
|
|
| |
|
|
|
|
|
|
Gustave Courbet (Ornans, Franche Comté 1819 - La Tour de Peilz, near Vevey 1877)
|
|
|
|
Les Gorges de Saillon
signed and dated ‘75/G. Courbet’ (lower left)
oil on canvas
42 x 33 cm (16½ x 13 in)
|
|
| |
|
|
|
|
|
|
Fausto Zonaro (Masi 1854 - San Remo 1929)
|
|
|
|
On the Bosphorus near the Küçüksu Çeşme
signed 'F. Zonaro' (lower left) and inscribed ‘F. Zonaro sur Bospero’ (on the reverse)
oil on canvas
46 x 65 cm (18⅛ x 25⅝ in)
|
|
| |
|
|
|
|
|
|
Oskar Schmerling (Tbilisi 1863 - Tbilisi 1938)
|
|
|
|
Caucasians on Horseback
signed in Cyrillic (lower left)
oil on board
32.5 x 24.5 cm (12¾ x 9⅝ in)
|
|
| |
|
|
|
|
|
|
Ilya Yefimovich Repin(Chuguyev, Ukraine 1844 - Kuokkala (modern Repino, near St. Petersburg) 1930)
|
|
|
|
Study for 'Zaporozhian Cossacks Writing a Letter to the Turkish Sultan'
signed in Cyrillic and dated '1878' (lower centre), numbered 52 (lower right); further numbered 115 (on the reverse)
pencil and grey wash on paper
23.5 x 33.1 cm (9¼ x 13 in)
|
|
| |
|
|
|
|
|
|
Mikhail Vasilevich Nesterov (Ufa 1862 - Moscow 1942)
|
|
|
|
Hayricks by the River
signed in Cyrillic (lower left)
oil on board
23.5 x 33.5 cm (9¼ x 13¼ in)
|
|
| |
|
|
|
|
|
|
Natalia Sergeevna Goncharova (Ladizkino, near Tula 1881 - Paris 1962)
|
|
|
|
Stage Design for 'The Firebird’, Act II
signed and inscribed 'Oiseau de Feu/ décors II tableau/ N. Goncharova' (lower right)
watercolour over pencil on paper, with gouache and gold paint
69 x 29.5cm (27 x 11¾in)
|
|
| |
|
|
|
|
|
|
Jean-Baptiste Le Prince (Metz 1734 - Saint-Denis-du-Port 1781)
|
|
|
|
Le Cabaret de Moskou
pen and black ink with gray wash on paper
19 x 23.5 cm (7½ x 9¼ in)
|
|
| |
|
|
|
|
|
|
After Yevgeny Alexandrovich Lancerey (St. Petersburg 1848 - St. Petersburg 1886)
|
|
|
|
A Bronze Equestrian Figure of a Cossack Boy
on naturalistic base, dark brown patination, signed and inscribed with foundry marks,
26 cm (10¼ in) high
SOLD
|
|
| |
|
|
|
|
|
|
French School, Early Sixteenth Century
|
|
|
|
The New Year's Tournament
very large miniature cut from an illuminated tournament manual,
in french,
manuscript on vellum
a large cutting, 22.4 x 20.2 cm (9 7/8 x 8 in), the Conclusion of a Tournament, in which a victorious knight in full armour and on horseback, riding past the figures of his opponents who lie prostrate on the ground, to receive a single flower from a young woman standing with her attendants in the royal box, all before a host of mounted knights, a gold fountain, tents, trees and a mountainous background, all within a delicate liquid gold architectural frame, on verso: remains of two columns of text with 25 lines in fine lettre bâtarde and part of upper margin, cut to shape, two small rust holes at top of miniature, and tiny flecks of paint missing from knight's cheek, else excellent condition, professionally framed
|
|
| |
|
|
|
|
|
|
After Yevgeny Alexandrovich Lancerey (St. Petersburg 1848 - St. Petersburg 1886)
|
|
|
|
A Russian Equestrian Bronze of a Khirgiz Herdsman with Lasso
bears a signature in Cyrillic, on the base
bronze
21.5 cm (8½ in) high
|
|
| |
|
|
|
|
|
|
Joseph Mallord William Turner, R.A. (London 1775-London 1851) & Thomas Girtin (British 1775-1802)
|
|
|
|
Arno, A Villa Among Trees and Bushes
pencil and watercolour
18 x 23.5 cm (7⅛ x 9¼ in)
|
|
| |
|
|
|
|
|
|
Joseph Mallord William Turner, R.A. (London 1775 - London 1851)
|
|
|
|
The Bridge at Vernon, from Vernonnet
pen and brown ink with pencil on blue paper
13.6 x 19.2 cm (5⅜ x 7½ in)
|
|
| |
|
|
|
|
|
|
Alessandro Bonvicino, called Moretto da Brescia (Brescia, c.1492 - 1554)
|
|
|
|
The Holy Family with Saint Anthony of Padua
oil on panel
68.9 x 90.2 cm (27⅛ x 35½ in)
SOLD
|
|
| |
|
|
|
|
|
|
Konstantin Ivanovich Gorbatov (Stavropol 1876 - Berlin 1945)
|
|
|
|
Sailing Boats on the Volga
signed in Cyrillic and dated '1910' (lower right)
oil on panel
24 x 33 cm (9½ x 13 in)
|
|
| |
|
|
|
|
|
|
Count Xavier de Maistre (Chamberg 1763 - St Petersburg 1852)
|
|
|
|
The Departure & The Farewell
one signed 'X de Maistre' (lower centre)
oil on paper laid on panel
23.5 x 30.5 cm (9 1/4 x 12 in) (2)
|
|
| |
|
|
|
|
|
|
Baron Mikhail Konstantinovich Klodt von Jurgensburg (St Petersburg 1832 - St Petersburg 1902)
|
|
|
|
Under the Birch Trees
signed in Cyrillic and dated ‘1874’ (lower right)
oil on canvas
27 x 47.5 cm (10½ x 18¾ in)
|
|
| |
|
|
|
|
|
|
Yevgeny Alexandrovich Lancerey (St. Petersburg 1848 - St. Petersburg 1886)
|
|
|
|
Kirghiz Horseman
signed on the base in Cyrillic ‘E Lancerey’
bronze
22 cm (8⅝ in) high
|
|
| |
|
|
|
|
|
|
Jean-Baptist-Marie Pierre (Paris 1714 - Paris 1789)
|
|
|
|
A Bacchanale: Naked Nymphs decorating a Herm
red chalk
22.3 x 17.8 cm (8¾ x 7 in)
|
|
| |
|
|
|
|
|
|
Nikolai Nikanorovich Dubovskoy (Novocherkassk, Russia 1859 - St. Petersburg 1918)
|
|
|
|
Stooks
indistinctly signed in Cyrillic (lower left)
oil on panel
28 x 37 cm (11 x 14⅝ in)
|
|
| |
|
|
|
|
|
|
Aleksey Ilyich Kravchenko (Pokrovskaya sloboda [now Engels], Saratov region 1889 - Moscow 1940)
|
|
|
|
Russian Village in the Winter
signed in Cyrillic (lower right)
oil on board
49 x 64 cm (19¼ x 25¼ in)
|
|
| |
|
|
|
|
|
|
Alexei Alekseevich Harlamoff (Saratov 1840 - Paris 1922)
|
|
|
|
Portrait of a Young Woman
signed ‘Harlamoff’ (lower left)
charcoal on paper
51 x 37 cm (20 x 14½ in)
|
|
| |
|
|
|
|
|
|
Feodor Karlovich Burhardt (St. Petersburg 1854 - 1918)
|
|
|
|
A Winter Landscape with a Troika on a Track
signed in Cyrillic and dated ‘1903’ (lower right)
oil on canvas
38 x 47 cm
|
|
| |
|
|
|
|
|
|
Josef Evstafievich Krachkovsky (Warsaw 1854 - Cadenabbia, Italy 1914)
|
|
|
|
Autumn by the River, Sigula, Latvia
signed and inscribed in Cyrillic, and dated '1904' (lower right)
oil on canvas
59 x 72 cm (23¼ x 28⅓ in)
|
|
| |
|
|
|
|
|
|
Alexander Alekseevich Borisov (Vologda Oblast 1866 - Arkhangelsk Oblast 1934)
|
|
|
|
Encampment in the Snow
signed ‘A. Borissoff' (lower left), also signed with initials and dated ‘1906’ (lower right)
oil on board
35 x 52 cm (13¾ x 20½ in)
|
|
| |
|
|
|