William Hamilton (London 1751 - London 1801)
Calypso receiving Telemachus and Mentor in the Grotto
oil on canvas
252.7 x 158.8 cm (99½ x 62½ in)
Konstantin Ivanovich Gorbatov (Stavropol 1876 - Berlin 1945)
Sailing Boats on the Volga
signed in Cyrillic and dated '1910' (lower right)
oil on panel
24 x 33 cm (9½ x 13 in)
Francesco Bassano II (Bassano 1549 - Venice 1592)
Autumn, with Moses Receiving the Ten Commandments
oil on canvas
78 x 103 cm (30¾ x 40½ in)
Giacomo Raibolini, called Giacomo Francia (Bologna 1486 - Bologna 1557)
The Holy Family with the Infant Saint John the Baptist and Saint Elizabeth
oil on panel
68 x 56.5 cm (25¾ x 22¼ in)
Francis Cotes, R.A. (London 1726 - Richmond 1770)
Portrait of Maria Walpole, Countess Waldegrave, Later H.R.H. Duchess of Gloucester and Edinburgh (1736-1807)
signed and dated 'F Cotes pxt./ 1765' (upper left)
oil on canvas, in a British Baroque gilded frame
108.5 x 136 cm (42¾ x 53½ in)
Willem van Mieris (Leiden 1662 - Leiden 1747)
The Penitent Mary Magdalene
signed and dated ‘W. Van/Mieris/Fe/1709’ (upper left)
oil on panel
20.3 x 16.2 cm (8 x 6⅜ in)
Jan de Bray (Haarlem c.1627 - Haarlem 1697)
The Adoration of the Magi
indistinctly signed and possibly dated (lower right, to the right of the kneeling king’s crown)
oil on oak panel
71 x 55 cm (28 x 21½ in)
Joseph Mallord William Turner, R.A. (London 1775-London 1851) & Thomas Girtin (British 1775-1802)
Arno, A Villa Among Trees and Bushes
pencil and watercolour
18 x 23.5 cm (7⅛ x 9¼ in)
Joseph Mallord William Turner, R.A. (London 1775 - London 1851)
The Bridge at Vernon, from Vernonnet
pen and brown ink with pencil on blue paper
13.6 x 19.2 cm (5⅜ x 7½ in)
Adriaen Thomasz. Key (Antwerp c. 1544 - Antwerp, after 1589)
Portrait of a Bearded Gentleman, Bust-Length, in a Black Doublet with a White Lace Ruff
signed with monogram 'ATK' (in ligature) and inscribed ‘AETA: 48’ (upper right) and dated ‘1574’ (upper left)
oil on panel, painted in a feigned oval
75.6 x 60.3 cm (29¾ x 23¾ in)
I. de Beer (Dutch, active 1750 - 1777)
Tsar Peter the Great Viewing the Mock Sea Battle Held in his Honour in the IJ, off Amsterdam, 1st September 1697
signed and dated ‘i.D.BEER.fecit.76’ and inscribed ‘NV:’ and ‘IM’ (lower left, on one of the boats)
oil on panel
44.5 x 67.5 cm (17½ x 26½ in)
Antwerp School, c. 1635
A Gilt-Metal-Mounted Ebony, Ebonized, Rosewood, Tortoiseshell and Ivory Cabinet on a Stand, Decorated with Scenes from Ovid’s Metamorphoses
the architectural facade with thirteen drawers around a central cupboard with a stage-set interior, the drawers decorated with painted panels, partially remounted, the stand later
cabinet: 84.5 x 121 x 46 cm (33¼ x 47⅝ x 18⅛ in)
cabinet on a stand: 179.5 x 123.8 x 48.9 cm (70⅝ x 48¾ x 19¼ in)
Jean-Baptiste Le Prince (Metz 1734 - Saint-Denis-du-Port 1781)
The Russian Dance
&
The Seesaw
the first signed and dated ‘Le Prince 1769’ (lower right) and the second bears a signature ‘le prince’ (lower left)
black chalk, pen and black ink, grey wash, en grisaille
29 x 23.7 cm (11⅜ x 9¼ in); 29 x 22.8 cm (11⅜ x 9in)
Flemish School, c.1535
Portrait of a Lady
oil on panel, shaped top
48 x 40 cm (18⅞ x 15¾)
Giacomo Guardi (Venice 1764 - Venice 1835) and Francesco Guardi [Venice 1712 - Venice 1793)
A View of the Venetian Lagoon with the Island of San Giacomo di Paludo
inscribed on the reverse in an old hand, possibly the artist’s own: ‘di S. Jacopo di Paludo di Venez[ia]’
oil on panel
17.3 x 25 cm (6¾ x 9⅞ in)
Benedetto Luti (Florence 1666 - Rome 1724)
Portrait of a Young Girl
oil on canvas
41 x 31.8 cm (16¼ x 12½ in)
Domenico Maggiotto (Venice 1712 - Venice 1794)
Portrait of a Girl with a Dog
oil on canvas
73 x 56.5 cm (28¾ x 22¼ in)
Louis-Gabriel Blanchet (Paris 1705 - Rome 1772)
The Four Seasons
two signed and dated ‘L.Blanchet / 1759’ (lower right), all inscribed ‘blanchet a Rome / 24 piese’ (on the reverse)
oil on panel
tondos; each diameter 22 cm (8⅝ in) (4)
Giovanni Antonio Pellegrini (Venice 1675 - Venice 1741)
Young Hannibal Swears Enmity to Rome
oil on canvas
71 x 94 cm (27⅞ x 37 in)
Lambert Sustris (Amsterdam c.1510 - Venice c.1560)
Perseus and Andromeda
oil on panel, with trompe l'oeil shaped corners
24.9 x 49.8 cm (9¾ x 19⅝ in)
Matthias Withoos (Amersfoort 1627 - Hoorn 1703)
Capriccio of the Forum, Rome, with the Arch of Constantine and the Coliseum in the Background
inscribed ‘No 120/Withoos/T/BE/_’ (on the reverse)
oil on canvas
98.1 x 135.4 cm (38⅝ x 53¼ in)
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