Jan Hackaert - A Wooded Landscape with a Shepherd and his Herd on a Path near a Puddle
Jan Hackaert (Amsterdam 1628 - Amsterdam 1685) A Wooded Landscape with a Shepherd and his Herd on a Path near a Puddle

signed 'HACKART.' (lower right)
oil on canvas
79.7 x 96.4 cm (31⅜ x 38 in)

Cornelis Cornelisz. van  Haarlem  - The Labours of Hercules
Cornelis Cornelisz. van Haarlem (Haarlem 1562 - Haarlem 1638) The Labours of Hercules

oil on oak panel
47.7 x 33.7 cm (18¾x 13¼ in)

Giacomo Guardi - A View of the Venetian Lagoon with the Island of San Giacomo di Paludo
Giacomo Guardi (Venice 1764 - Venice 1835) and Francesco Guardi [Venice 1712 - Venice 1793) A View of the Venetian Lagoon with the Island of San Giacomo di Paludo

inscribed on the reverse in an old hand, possibly the artist’s own: ‘di S. Jacopo di Paludo di Venez[ia]’
oil on panel
17.3 x 25 cm (6¾ x 9⅞ in)

Abraham Bloemaert - The Expulsion of Hagar and Ishmael
Abraham Bloemaert (Gorinchem 1566 - Utrecht 1651) The Expulsion of Hagar and Ishmael

signed ‘A Blomert fe. ./16..8’ (lower left)
oil on canvas
150 x 184 cm (59 x 72½ in)

Jan van Goyen - A Wooded Landscape with Travellers by the Swan Inn and at another Inn Opposite
Jan van Goyen (Leiden 1596 - The Hague 1656) A Wooded Landscape with Travellers by the Swan Inn and at another Inn Opposite

signed with monogram and dated ‘VG 1649’ (lower left)
oil on panel
27.8 x 37.8 cm (11 x 14⅞ in)

Jan van Goyen - A Group Of Covered Wagons And Horsemen Before A Country Inn
Jan van Goyen (Leiden 1596 - The Hague 1656) A Group Of Covered Wagons And Horsemen Before A Country Inn

signed with initials and dated in black chalk ‘VG 1653’ (lower left)
bears pencil numbering, No 9 (verso)
black chalk and grey wash, within grey ink framing lines
17 x 27.3 cm (10¾ x 6¾ in)

Sir Thomas Edward  Gordon - Lake Victoria, Great Pamir, May 2nd, 1874
Sir Thomas Edward Gordon (Aberdeen 1832 - 1914) Lake Victoria, Great Pamir, May 2nd, 1874

signed with initials ‘T.E.G.’ (lower left)
watercolour on paper
15.2 x 24.1 cm (6 x 9 ½ in)

Natalia Sergeevna Goncharova - Stage Design for 'The Firebird’, Act II
Natalia Sergeevna Goncharova (Ladizkino, near Tula 1881 - Paris 1962) Stage Design for 'The Firebird’, Act II

signed and inscribed 'Oiseau de Feu/ décors II tableau/ N. Goncharova' (lower right)
watercolour over pencil on paper, with gouache and gold paint
69 x 29.5cm (27 x 11¾in)

Konstantin Nikolaevich Filippov - Travellers in a Caucasian Landscape
Konstantin Nikolaevich Filipov (1830 - Yalta, Crimea 1878) Travellers in a Caucasian Landscape

signed ‘C. Philippoff.’ (lower right)
pencil and watercolour on paper
21.6 x 30.5 cm (8½ x 12 in)

Franz de Paula  Ferg - A Classical Landscape with a Family Resting by the Ruins of a Fountain, a Man with a Pack-Donkey Passing by
Franz de Paula Ferg (Vienna 1689 - London 1740) A Classical Landscape with a Family Resting by the Ruins of a Fountain, a Man with a Pack-Donkey Passing by

&
A Classical Landscape with a Family Resting by the Ruins, a Boy Struggling with an Obstinate Pack Mule


oil on copper, a pair
inscribed ‘AP.No83’ and ‘AP.No84 ’ (‘AP’ in monogram, on the reverses)
21.6 x 17.5 cm (8½ x 6½ in)

Allaert van Everdingen - Month of August (Virgo): The Harvest
Allaert van Everdingen (Alkmaar 1621 - Amsterdam 1675) Month of August (Virgo): The Harvest

brush and grey and brown wash
11.1 x 12.8 cm (4⅜ x 5 in)

School English - The Trinity Gate, Moscow & The Kremlin from the Moskvoretsky Bridge
English School, Nineteenth Century The Trinity Gate, Moscow & The Kremlin from the Moskvoretsky Bridge

watercolour on paper, a pair
each 26.5 x 20 cm (10½ x 7¾ in) (2)

Karel Dujardin - A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses
Karel Dujardin (Amsterdam 1622 - Venice 1678) A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses

oil on canvas
indistinctly signed and dated ‘K: du. Jardin/ 165(6?)’ (centre left)
34.3 x 44.4 cm (13½ x 17½ in)

Joost Cornelisz Droochsloot - Villagers Rejoice at the Return of a Cavalier
Joost Cornelisz Droochsloot (Utrecht 1586 - Utrecht 1666) Villagers Rejoice at the Return of a Cavalier

with monogram ‘J.V. DS’ (lower left)
oil on panel
53.2 x 73.2 cm (21 x 28¾ in)

Joost Cornelisz Droochsloot - Architectural Ruin with a Crowd
Joost Cornelisz Droochsloot (Utrecht 1586 - Utrecht 1666) Architectural Ruin with a Crowd

signed ‘JC Droochsloot’ (lower left)
oil on panel
36 x 57 cm (14⅛ x 22½ in)

  - The Bacino di San Marco, Venice
Apollonio Domenichini (active, Venice 1715 - 1770) The Bacino di San Marco, Venice

inscribed ‘AP Domenigini’ on the original canvas underneath the lining,
the stamp of Francis Leedham (1794-1870) on the stretcher,
and previously with an inventory number ‘309’ inscribed on the reverse of an old lining
oil on canvas
76.2 x 122.5 cm (30 x 48¼ in)

SOLD

Giovanni David - The Discovery of Romulus and Remus
Giovanni David (Gabella 1743 - Genoa 1790) The Discovery of Romulus and Remus

bears partly erased old attribution: ‘Giovanni Battista Pittoni, Venezia 1687 - 1767’ (lower right of backing sheet)
pen and grey ink and brown and grey wash, over black chalk
32.2 x 45.4 cm (12⅝ x 17⅞ in)

Benjamin Gerritsz Cuyp - Soldiers Repairing Fortifications
Benjamin Gerritsz Cuyp (Dordrecht 1612 - Dordrecht 1652) Soldiers Repairing Fortifications

signed ‘b. *uyp. f 16**’ (lower right)
oil on canvas
101.6 x 152.1 cm (40 x 59⅞ in)

Benjamin Gerritsz Cuyp - Feast with Freshly Slaughtered Meat before an Inn & Soldiers Playing Dice and a Rider before a Supply Tent
Benjamin Gerritsz Cuyp(Dordrecht 1612 - Dordrecht 1652) Feast with Freshly Slaughtered Meat before an Inn & Soldiers Playing Dice and a Rider before a Supply Tent

the feast scene with traces of a signature and date on the trough
oil on oak panel, a pair
diameter: 67.5 cm (26½ in) (tondo) (2)

John Crome - A Wooded Landscape with an Oak
John Crome (Norwich 1768 - Norwich 1821) A Wooded Landscape with an Oak

oil on panel
23.8 x 18.1 cm (9⅜ x 7⅛ in)

Giuseppe Maria Crespi - Study of a Model Posed as a Seated Hercules
Giuseppe Maria Crespi (Bologna 1665 - Bologna 1747) Study of a Model Posed as a Seated Hercules

Verso: Study of a Male Figure

red chalk (recto); black chalk (verso)
29 x 35.3 cm (11⅜ x 13⅞ in)