Alfred von Wierusz-Kowalski (Suwalki, Poland c. 1848 - Munich 1915) Cossacks Returning Home on Horseback signed with the pseudonym ‘J Konarski’ (lower right) oil on panel 23 x 35.5 cm (9 x 13 5/8 in)
Claude-Louis Châtelet (Paris 1749 - Paris 1795) View of Manfredonia in Puglia inscribed in a later hand ‘Stadt Ansicht von Manfredonia in Appulien/Cassas’ (on the verso) pen and black ink and watercolour over black chalk 20.9 x 33.5 cm (8¼ x 13¼ in)
Jan van Goyen (Leiden 1596 - The Hague 1656) A Group Of Covered Wagons And Horsemen Before A Country Inn signed with initials and dated in black chalk ‘VG 1653’ (lower left) bears pencil numbering, No 9 (verso) black chalk and grey wash, within grey ink framing lines 17 x 27.3 cm (10¾ x 6¾ in)
Alexander Nasmyth (Edinburgh 1758 - Edinburgh 1840) Loch Maree, Scotland oil on canvas 30.5 x 35.5 cm (12 x 14 in)
Jan van Kessel I (Antwerp 1626 - Antwerp 1679) Swans and Ducks in a Lake before a Country House oil on copper 16.6 x 22.6 cm (6½ x 8⅞ in)
Jean-Baptiste Pillement (Lyon 1728 - Lyon 1808) Peasants Resting and Dancing to a Piper beside a Farm signed and inscribed 'Jean Pillement l’an 4. D. La. R.' [1795-6] (lower left) black chalk, stumping, grey wash, brown and black ink framing lines 35.5 x 48.3 cm (14 x 19 in)
Clarkson Stanfield RA (Sunderland 1793- London 1867) Roveredo signed and dated 'C. Stanfield RA 1851’ (lower right) oil on panel 39 x 60 cm (15⅜ x 23⅝ in)
Alfred Gomersal Vickers (London 1810 - Pentonville, Alabama 1837) The Cathedral of Prince St. Vladimir inscribed 'Church of St. Nicholas of The Bath and part of the port line bridge. Petersburg' (on the reverse) watercolour heightened with white and gum arabic, on paper 24.5 x 37.5 cm (9¾ x 14¾ in)
Thomas Allom (London 1804 - London 1872) Ships on the Bosphorus at the Entrance to the Black Sea watercolour over pencil 31 x 44 cm (12¼ x 17½ in)
Thomas Allom (London 1804 - London 1872) Constantinople from the Entrance of the Golden Horn watercolour heightened with bodycolour 30.5 x 42.5 cm (12 x 16¾ in)
Padly Aladar (Budapest 1881 - Veresegyhaza 1949) Before Shah-i-Zinda, Samarkand indistinctly signed and inscribed (lower right) oil on panel 29.7 x 40 cm (11⅝ x 15¾ in)
Albrecht Adam (Nördlingen 1786 - Munich 1862) Austrian Cavalry Resting in a Village signed ‘Adam’ (lower right) oil on canvas 46 x 56 cm (18⅛ x 22⅛ in)
Auguste-Xavier Leprince (Paris 1799 - Nice 1826) The Harvest signed and dated ‘a.x. Leprince 1822’ (on the bridge, lower right) oil on canvas 24.2 x 32.1 cm (9½ x 12⅝ in)
Stepan Feodorovich Kolesnikov (Adrianopol 1879 - Belgrade 1955) In the Fields signed in Cyrillic and dated ‘S. Kolesnikov 1919/I/10’ (lower left) gouache on board 14.2 x 27.9 cm (5⅝ x 11 in)
Giovanni Battista Tiepolo (Venice 1697 - Madrid 1770) Death of Seneca pen and brown ink and grey wash over black chalk 42.8 x 28.2 cm (16⅞ x 11⅛ in)
Yuri Illich Repin (Chuguev 1877 - Helsinki 1954) A Prisoner Transport signed in Cyrillic and dated ‘1937’ (lower centre) oil on panel 37.5 x 32 cm (14¾ x 12½ in)
Sergei Sudeikin (Smolensk 1882 - Nyack, New York 1946) On the Shore of the Hudson signed 'Soudeikine' (lower right) oil on canvas 56 x 66 cm (22 x 36 in)
Pieter van Bloemen, called Standaart (Antwerp 1657 - Antwerp 1720) A Peasant Couple amongst their Cattle and Sheep oil on canvas 48.2 x 58.5 cm (19 x 23 in)
Daniel Turner(British, active 1782 - 1817) View on the Thames with Blackfriars Bridge and St. Paul's Cathedral beyond oil on panel 25.4 x 40.7 cm (10 x 16 in)
Attributed to Richard Wilson (Penegoes 1713 - Colomendy 1782) A River Landscape with Figures Dancing in the Foreground, Mountains Beyond oil on canvas 35.9 x 43.3 cm (14⅛ x 17⅛ in)
Mikhail Pelopidovich Lattry (Odessa, Ukraine 1875 - Paris 1941) Harbour Scene signed ‘M Lattry’ (lower right) pencil, watercolour and gouache on paper 30 x 36 cm (11¾ x 14⅛ in)