Cornelis Gerritsz. Decker - Landscape with a Village Road and Figures Conversing in the Right Foreground & Landscape with a Farmyard and Figure Drawing Water from a Well, other Figures Conversing Nearby
Cornelis Gerritsz. Decker (Haarlem 1620 - Haarlem 1678) Landscape with a Village Road and Figures Conversing in the Right Foreground & Landscape with a Farmyard and Figure Drawing Water from a Well, other Figures Conversing Nearby

the latter signed ‘C. Deck..r’ (lower left on the well)
oil on canvas, a pair
83.5 x 107 cm (33 x 42 in.) each

Francis Cotes, R.A. - Portrait of Maria Walpole, Countess Waldegrave, Later H.R.H. Duchess of Gloucester and Edinburgh (1736-1807)
Francis Cotes, R.A. (London 1726 - Richmond 1770) Portrait of Maria Walpole, Countess Waldegrave, Later H.R.H. Duchess of Gloucester and Edinburgh (1736-1807)

signed and dated 'F Cotes pxt./ 1765' (upper left)
oil on canvas, in a British Baroque gilded frame
108.5 x 136 cm (42¾ x 53½ in)

Ulrihs Boitmanis - View of Riga
Ulrihs Boitmanis (Latvian, Nineteenth Century - ) View of Riga

signed ‘A. Boitmann/1891’ (lower right)
oil on canvas
61 x 110 cm (24 x 43 in)

William Powell Frith - Poverty and Wealth
William Powell Frith (Yorkshire 1819 - London 1909) Poverty and Wealth

signed and dated `W.P. Frith. 1888’ (lower left)
oil on canvas
81.3 x 119.4 cm (32 x 47 in)

Pieter de Neyn - Travellers on a Path, in a Dune Landscape
Pieter de Neyn(Dutch 1597 - 1639) Travellers on a Path, in a Dune Landscape

signed with monogram ‘PN’ (lower right)
oil on panel
47 x 70 cm (15¾ x 27½ in)

Jan Brueghel I - A Coastal Landscape with Fishermen with their Catch by a Ruined Tower
Jan Brueghel I (Brussels 1568 - Antwerp 1625) & Joos de Momper II (Antwerp 1564 - Antwerp 1635) A Coastal Landscape with Fishermen with their Catch by a Ruined Tower

oil on panel
45.1 x 67.3 cm (17¾ x 26½ in)

Abraham Bloemaert - The Expulsion of Hagar and Ishmael
Abraham Bloemaert (Gorinchem 1566 - Utrecht 1651) The Expulsion of Hagar and Ishmael

signed ‘A Blomert fe. ./16..8’ (lower left)
oil on canvas
150 x 184 cm (59 x 72½ in)

Jean-Baptiste Huet - A Shepherd and a Shepherdess Resting
Jean-Baptiste Huet (Paris 1745 - Paris 1811) A Shepherd and a Shepherdess Resting

watercolour on traces of black and sanguine chalk
19 x 24.5 cm (8 ½ x 9 ¾ in)

School Antwerp - A Gilt-Metal-Mounted Ebony, Ebonized, Rosewood, Tortoiseshell and Ivory Cabinet on a Stand, Decorated with Scenes from Ovid’s Metamorphoses
Antwerp School, c. 1635 A Gilt-Metal-Mounted Ebony, Ebonized, Rosewood, Tortoiseshell and Ivory Cabinet on a Stand, Decorated with Scenes from Ovid’s Metamorphoses

the architectural facade with thirteen drawers around a central cupboard with a stage-set interior, the drawers decorated with painted panels, partially remounted, the stand later
38 x 45.8 cm (15 x 18 in)
cabinet: 84.5 x 121 x 46 cm (33¼ x 47⅝ x 18⅛ in)
cabinet on a stand: 179.5 x 123.8 x 48.9 cm (70⅝ x 48¾ x 19¼ in)

Cornelis van Poelenburch - The Martyrdom of Saint Lawrence
Cornelis van Poelenburch (Utrecht 1595 - Utrecht 1667) The Martyrdom of Saint Lawrence

signed with initials 'C.P.F.' (lower right)
oil on panel
35.5 x 58.4 cm (14 x 23 in)

Willem van de Velde the Younger - A Dutch Flagship at Anchor attended by Small Boats, the Fleet seen Beyond
Willem van de Velde the Younger (Leiden 1633 - London 1707) A Dutch Flagship at Anchor attended by Small Boats, the Fleet seen Beyond

black chalk, pen and black ink, grey wash
27.4 x 51.5 cm (10¾ x 20¼ in)

Christoph  Schwarz - The Raising of Lazarus
Attributed to Christoph Schwarz (Munich c.1545 - Munich 1592) The Raising of Lazarus

numbered ‘24’ and with inscriptions ‘B’ and ‘Marto Wi...’ (verso)
red chalk, pen and brown ink, brown wash, watermark serpent (twice), on two joined sheets
41.2 x 106.5 cm (16¼ x 42 in)

Achille Etna Michallon  - A Castle on the Bosphorous
Achille Etna Michallon (Paris 1796 - Paris 1822) A Castle on the Bosphorous

signed and dated 'Michallon/1816' and inscribed in Polish on the mount
brown wash over pencil on laid paper watermarked:..ANDERLEY, with original wash-line mount
33 x 46.5 cm (13 x 18⅓ in)

Tomasso Maria Conca - The Rest on the Flight into Egypt
Tomasso Maria Conca (Rome 1735 - Rome 1822) The Rest on the Flight into Egypt

signed with the artist’s abbreviated first names in black chalk on the fallen stone ‘TÙM. / MAP / V.D.’ (lower right)
black chalk, within black chalk framing lines
45.9 x 51.8 cm (18⅛ x 20⅜ in)

Antonio Zucchi - Landscape Animated with Musicians, Shepherds and Fishermen
Attributed to Antonio Zucchi (Venice 1726 - Rome 1795) Landscape Animated with Musicians, Shepherds and Fishermen

quill and brown ink with grey and brown wash
46 x 67 cm (18⅛ x 26⅜ in)

Luigi Sabatelli - Dante and Virgil Watching Charon Ferrying Souls to Hell
Luigi Sabatelli (Florence 1772 - Milan 1850) Dante and Virgil Watching Charon Ferrying Souls to Hell

pen and brown ink over traces of black chalk
44 x 62 cm (17⅜ x 24⅜ in)

Domenico Piola - Bathsheba Attended by Two Women
Domenico Piola (Genoa 1627 - Genoa 1703) Bathsheba Attended by Two Women

pen and brown ink and wash, over traces of black chalk; squared in black chalk
28.2 x 42.1 cm (11 x 16½ in)

Giovanni Maria Morandi - A Processional Feast with Musicians and People in Costume, a Woman on a Horse at the Centre
Attributed to Giovanni Maria Morandi (Florence 1622 - Rome 1717) A Processional Feast with Musicians and People in Costume, a Woman on a Horse at the Centre

pen and brown ink, brown wash, heightened with white, irregular shape
20.5 x 30.5 cm (8⅛ x 12 in)

Antonio Domenico Gabbiani - The Rape of the Sabine Women
Antonio Domenico Gabbiani (Florence 1652 - Florence 1726) The Rape of the Sabine Women

bears inscription in pen and brown ink: ‘P . Berretini’
pen and brown ink and wash over black chalk
24.1 x 33.7 cm (9½ x 13 5/16 in)

Thomas Wyck - An Italian Courtyard with a Gateway and Seated Figure
Thomas Wyck (Beverwijk near Haarlem 1616 - Haarlem 1677) An Italian Courtyard with a Gateway and Seated Figure

bears various inscriptions in pen and brown ink, verso, mostly illegible, but including the word ‘Pynacker’, and inscription in red chalk: ‘W....m’
brush and gray wash over indications in black chalk
20.8 x 20.1 cm (8⅛ x 7⅞ in)

Vladimir Fedorovich Ammon - A View of Moscow from Sparrow Hills
Vladimir Fedorovich Ammon (Moscow 1826 - Moscow 1879) A View of Moscow from Sparrow Hills

signed and dated ‘W. Ammon/1856’ (lower right),
and further inscribed ‘A Monsieur John Hick. / Gerassim Kloudoff / Moscou 2/4 Fevier 1857.’ (on the reverse of the canvas)
oil on canvas
40 x 60 cm (15¾ x 23⅝ in)